{"id":1830,"date":"2019-11-24T19:09:35","date_gmt":"2019-11-24T22:09:35","guid":{"rendered":"http:\/\/revistaguay.fahce.unlp.edu.ar\/?page_id=1830"},"modified":"2021-10-06T23:25:22","modified_gmt":"2021-10-07T02:25:22","slug":"encuesta","status":"publish","type":"page","link":"https:\/\/revistaguay.fahce.unlp.edu.ar\/index.php\/encuesta\/","title":{"rendered":"Encuesta"},"content":{"rendered":"\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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GUAY PREGUNTA<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Nos propusimos desde\u00a0Guay<\/i>\u00a0trazar una mirada colectiva sobre las obras que nos acompa\u00f1aron durante los cuatro a\u00f1os
de macrismo en el gobierno nacional. Preguntamos sobre libros, pel\u00edculas, m\u00fasicas, series u obras de teatro, flamantes o
pret\u00e9ritos, que permitieron pensar y tambi\u00e9n atravesar de mejor manera lo que vivimos. En primera instancia, invitamos a
quienes vienen colaborando con\u00a0Guay<\/i>\u00a0a que seleccionen tres materiales y fundamenten brevemente por qu\u00e9 los escogen.
A la par, les pedimos que inviten a otra u otro colega, camarada, compa\u00f1era o compa\u00f1ero a que haga el mismo ejercicio.
Como suele suceder, los bordes se desemprolijan y cada tanto las respuestas derrapan por un lado o por otro. Nos pone contentos presentar este material que es tambi\u00e9n una reflexi\u00f3n compartida, en fragmentos y no siempre tersa, sobre el estado de la cultura.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n \n
\n \"Alejandro \n <\/div> \n Alejandro Fern\u00e1ndez Mouj\u00e1n<\/span> \n <\/a>\n <\/div> \n\n \t
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\n \"Ana \n <\/div> \n Ana Bugnone<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Ana \n <\/div> \n Ana Testa<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Juan \n <\/div> \n Juan Bellini<\/span> \n <\/a>\n <\/div> \n\n \t
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\n \"Fabricio \n <\/div> \n Fabricio Breccia<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Bruno \n <\/div> \n Bruno Fornillo<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Camila \n <\/div> \n Camila Spoturno<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Cecilia \n <\/div> \n Cecilia Flachsland<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Cecilia \n <\/div> \n Cecilia Abdo Ferez<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Claudia \n <\/div> \n Claudia Bacci<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Diego \n <\/div> \n Diego Caram\u00e9s<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Dora \n <\/div> \n Dora Barrancos<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Danila \n <\/div> \n Danila Su\u00e1rez Tom\u00e9<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Esteban \n <\/div> \n Esteban Barroso<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Ezequiel \n <\/div> \n Ezequiel Gatto<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Federico \n <\/div> \n Federico Neuburger<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Gabriel \n <\/div> \n Gabriel D'Iorio<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Gabriel \n <\/div> \n Gabriel Giorgi<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Gabriela \n <\/div> \n Gabriela Borrelli<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Germ\u00e1n \n <\/div> \n Germ\u00e1n Ferrari<\/span> \n <\/a>\n <\/div> \n \n
\n \n
\n \"Guadalupe \n <\/div> \n Guadalupe Reboredo<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Guillermo \n <\/div> \n Guillermo Korn<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Gustavo \n <\/div> \n Gustavo Robles<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Juan \n <\/div> \n Juan Rodes<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Luis \n <\/div> \n Luis Garc\u00eda<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Luis \n <\/div> \n Luis Escobar<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Mar\u00eda \n <\/div> \n Mar\u00eda P\u00eda L\u00f3pez<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Mariana \n <\/div> \n Mariana Canavese<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Mario \n <\/div> \n Mario C\u00e1mara<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Mart\u00edn \n <\/div> \n Mart\u00edn Ara<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Mart\u00edn \n <\/div> \n Mart\u00edn Baigorria<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Mercedes \n <\/div> \n Mercedes Orden<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Natal\u00ed \n <\/div> \n Natal\u00ed Incaminato<\/span> \n <\/a>\n <\/div> \n\n \t
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\n \"Nazaret \n <\/div> \n Nazaret Castro<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Pablo \n <\/div> \n Pablo Luzuriaga<\/span> \n <\/a>\n <\/div> \n\n \t
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\n \"Paula \n <\/div> \n Paula Provenzano<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Roberto \n <\/div> \n Roberto Pittaluga<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"M\u00e1ximo \n <\/div> \n M\u00e1ximo Eseverri<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Marcelo \n <\/div> \n Marcelo Scotti<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Gast\u00f3n \n <\/div> \n Gast\u00f3n Galli<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Irene \n <\/div> \n Irene Cosoy<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Julia \n <\/div> \n Julia Rosemberg<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Javier \n <\/div> \n Javier Tr\u00edmboli<\/span> \n <\/a>\n <\/div> \n\n \n\n \t
\n \n
\n \"Analis \n <\/div> \n Analis Escapil<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Ignacio \n <\/div> \n Ignacio Barbeito<\/span> \n <\/a>\n <\/div> \n\n \t
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\n \"Jordana \n <\/div> \n Jordana Blejmar<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Maria \n <\/div> \n Maria Belluscio<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Romina \n <\/div> \n Romina Freschi<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Valeria \n <\/div> \n Valeria Sager<\/span> \n <\/a>\n <\/div> \n\n\n\n \t
\n \n
\n \"Emiliano \n <\/div> \n Emiliano Gambarota<\/span> \n <\/a>\n <\/div> \n\n \t
\n \n
\n \"Laureana \n <\/div> \n Laureana Cardelino<\/span> \n <\/a>\n <\/div> \n\n <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Facultad de Humanidades y Ciencias de la Educaci\u00f3n | Universidad Nacional de La Plata<\/a>\u00a0<\/span>
Calle 51 e\/ 124 y 125 | (1925) Ensenada | Buenos Aires | Argentina<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tFacebook<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tTwitter<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tInstagram<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tEnvelope<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

GUAY PREGUNTA Nos propusimos desde\u00a0Guay\u00a0trazar una mirada colectiva sobre las obras que nos acompa\u00f1aron durante los cuatro a\u00f1os de macrismo en el gobierno nacional. Preguntamos sobre libros, pel\u00edculas, m\u00fasicas, series u obras de teatro, flamantes o pret\u00e9ritos, que permitieron pensar y tambi\u00e9n atravesar de mejor manera lo que vivimos. En primera instancia, invitamos a quienes … Leer m\u00e1s Encuesta<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/revistaguay.fahce.unlp.edu.ar\/index.php\/wp-json\/wp\/v2\/pages\/1830"}],"collection":[{"href":"https:\/\/revistaguay.fahce.unlp.edu.ar\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/revistaguay.fahce.unlp.edu.ar\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/revistaguay.fahce.unlp.edu.ar\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistaguay.fahce.unlp.edu.ar\/index.php\/wp-json\/wp\/v2\/comments?post=1830"}],"version-history":[{"count":7,"href":"https:\/\/revistaguay.fahce.unlp.edu.ar\/index.php\/wp-json\/wp\/v2\/pages\/1830\/revisions"}],"predecessor-version":[{"id":3904,"href":"https:\/\/revistaguay.fahce.unlp.edu.ar\/index.php\/wp-json\/wp\/v2\/pages\/1830\/revisions\/3904"}],"wp:attachment":[{"href":"https:\/\/revistaguay.fahce.unlp.edu.ar\/index.php\/wp-json\/wp\/v2\/media?parent=1830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}